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After Hours
After Hours

After Hours

September 13, 1985· 1h 37m
Directed by
Cinemagraphs Score7.7

Desperate to escape his mind-numbing routine, uptown Manhattan office worker Paul Hackett ventures downtown for a hookup with a mystery woman.

Critics Sentiment

Critics7.7
No audience data yet —
1 — Hated it5 — Neutral10 — Masterpiece
Critics
|
8+ Great
6-8 Good
<6 Poor
15 reviews·Last updated 1mo ago
Peak Moment

June hides Paul by covering him in papier-mâché

8.8at 1h 25m
Lowest Moment

Paul meets Marcy Franklin at the café

6.8at 5m
Biggest Swing

The film jumps from its deliberately slow opening to brilliant absurdist comedy once Paul becomes trapped in the SoHo nightmare.

After Hours builds from a deliberately paced opening into increasingly acclaimed dark comedy as Paul's night spirals out of control. Critics consistently praise Scorsese's masterful transformation of urban paranoia into surreal nightmare, with the film reaching its peak in the ingenious papier-mâché climax. The sentiment remains strong throughout the middle and ending, reflecting widespread critical appreciation for this underrated Scorsese gem.

15 reviews analyzed|Sources: Imdb
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15.510

Rate each story beat:

Paul meets Marcy Franklin at the café⬇ Lowest moment
5.0
Hated itNeutralLoved it
Paul takes taxi to SoHo losing his money
5.0
Hated itNeutralLoved it
Paul discovers Marcy's disturbing photos and burn cream
5.0
Hated itNeutralLoved it
Paul finds Marcy has committed suicide by overdose
5.0
Hated itNeutralLoved it
Julie brands Paul as neighborhood burglar with posters
5.0
Hated itNeutralLoved it
Gail joins the mob hunting Paul through streets
5.0
Hated itNeutralLoved it
June hides Paul by covering him in papier-mâché⬆ Peak moment
5.0
Hated itNeutralLoved it
Paul tumbles from van back to his office building
5.0
Hated itNeutralLoved it

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