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Seconds
Seconds

Seconds

October 5, 1966· 1h 47m
Cinemagraphs Score7.2

An unhappy middle-aged banker agrees to a procedure that will fake his death and give him a completely new look and identity; one that comes with its own price.

Critics Sentiment

Critics7.2
No audience data yet —
1 — Hated it5 — Neutral10 — Masterpiece
Critics
|
8+ Great
6-8 Good
<6 Poor
15 reviews·Last updated 2mo ago
Peak Moment

Tony and Nora attend the grape-stomping bacchanal party

8.7at 1h 00m
Lowest Moment

The Company prepares Tony as cadaver for next client

5.2at 1h 40m
Biggest Swing

The film crashes from the euphoric bacchanal sequence (8.7) to Tony's final entrapment by The Company (5.2), reflecting his journey from illusory freedom to inevitable doom.

Critics praised Seconds as an innovative and deeply unsettling exploration of identity and spiritual emptiness, with particular acclaim for Hudson's performance and Frankenheimer's disturbing visual style. The film builds from Arthur's mundane despair through Tony's brief California paradise to an inevitably tragic conclusion that reviewers found both depressing and cathartic. While some noted pacing issues and the relentlessly bleak tone, most recognized it as a profound meditation on the impossibility of escaping one's essential character through external transformation.

15 reviews analyzed|Sources: Imdb
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15.510

Rate each story beat:

0 of 8 rated

Arthur Hamilton's unfulfilled middle-aged banking executive routine
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Hated itNeutralLoved it
Charlie Evans contacts Arthur claiming to have faked his death
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Dr. Innes performs extensive surgery transforming Arthur into Tony Wilson
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Tony encounters the freewheeling Nora Marcus on the beach
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Tony and Nora attend the grape-stomping bacchanal party⬆ Peak moment
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Tony meets Emily at Arthur's former home as friend
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The Company prepares Tony as cadaver for next client⬇ Lowest moment
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Tony faces his inevitable death as The Company's operation concludes
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