Strawberry and Chocolate
In 1979 Cuba, flamboyant gay artist Diego attempts to seduce straitlaced David, an idealistic young communist, and fails dismally. But David conspires to be "friends" with Diego so he can monitor the artist's subversive life for the state. As Diego and David discuss politics, individuality and personal expression in Castro's Cuba, a genuine friendship develops between the two.
Critics Sentiment
David and Diego argue about communism, sexuality, and revolution
David and Vivian's failed intimate encounter at the hotel
The film builds from David's initial vulnerability to peak during the intellectual debates between the protagonists, then dips during Diego's career troubles before recovering with the emotionally resonant finale
Critics consistently praised this Cuban film for its mature handling of friendship transcending political and sexual differences. The sentiment builds steadily through the developing relationship between David and Diego, reaching its peak during their passionate intellectual debates about politics and society. While some reviewers found certain subplots less compelling and criticized stereotypical elements, most appreciated the film's courage in addressing homosexuality in Cuban society and its nuanced character development.
Crew
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