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Close-Up
Close-Up

Close-Up

May 9, 1990· 1h 38m
Directed by
Cinemagraphs Score7.9

This fiction-documentary hybrid uses a sensational real-life event—the arrest of a young man on charges that he fraudulently impersonated the well-known filmmaker Mohsen Makhmalbaf—as the basis for a stunning, multilayered investigation into movies, identity, artistic creation, and existence, in which the real people from the case play themselves.

Critics Sentiment

Critics7.9
No audience data yet —
1 — Hated it5 — Neutral10 — Masterpiece
Critics
|
8+ Great
6-8 Good
<6 Poor
14 reviews·Last updated 18d ago
Peak Moment

The real Mohsen Makhmalbaf appears and meets Sabzian after his release

9.1at 1h 28m
Lowest Moment

Empty spray paint can rolls slowly down the street outside the Ahankhah home

7.4at 18m
Biggest Swing

The film's biggest upward swing occurs between the Ahankhah family testimony segment (score 7.7) and the verdict and forgiveness segment (score 8.4), before surging further to the transcendent Makhmalbaf appearance (score 9.1), a rise of 1.4 points across two adjacent beats.

Audience sentiment for Close-Up builds steadily from an already strong opening, with reviewers consistently praising Kiarostami's oblique camera strategy and the film's radical blurring of documentary and fiction. The courtroom testimony sequences are widely identified as the intellectual and emotional heart of the film, generating genuine moral ambiguity around Sabzian that reviewers find compelling rather than alienating. The final act, culminating in Makhmalbaf's appearance and the motorbike ride, is treated by nearly all reviewers as a transcendent payoff that elevates the film into masterpiece territory.

14 reviews analyzed|Sources: Imdb
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15.510

Rate each story beat:

Opening credits list every cast member as playing themselves
5.0
Hated itNeutralLoved it
Journalist and police ride taxi to the Ahankhah family home
5.0
Hated itNeutralLoved it
Empty spray paint can rolls slowly down the street outside the Ahankhah home⬇ Lowest moment
5.0
Hated itNeutralLoved it
Sabzian poses as Makhmalbaf and scouts the Ahankhah home for a fictional film
5.0
Hated itNeutralLoved it
Sabzian testifies about his love of cinema and quotes Tolstoy on art and life
5.0
Hated itNeutralLoved it
Courtroom footage and reenacted scenes intercut, blurring real and reconstructed events
5.0
Hated itNeutralLoved it
The real Mohsen Makhmalbaf appears and meets Sabzian after his release⬆ Peak moment
5.0
Hated itNeutralLoved it
Sabzian and Makhmalbaf ride together on a motorbike, audio cutting in and out
5.0
Hated itNeutralLoved it

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