In the Hand of Dante

In the Hand of Dante opens with genuine energy and visual ambition, earning goodwill through Butler's crime-world charisma, Isaac's committed dual performance, and standout cameos from Pacino and Scorsese. The middle section begins to buckle under the weight of its own literary pretensions, with the timeline crosscutting losing rhythm and Gadot's performance drawing sharp criticism. The final third collapses almost entirely, with reviewers broadly agreeing that the film trades its scabrous black comedy for solemn romantic fantasy, leaving a talented cast and a fascinating source novel feeling thoroughly wasted.